| Physical |
| Dimensions |
151mm x 92mm x 36mm |
| Weight |
400gms |
| Mount points |
1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
| Environmental |
| Ambient operating temperature |
Up to 40 degrees Celsius |
| Construction |
| Body |
Aluminium with ABS plastic |
| Cooling |
Actively controlled fan and heat sink |
| Power |
| Input voltage |
6.2V to 16.8V DC |
| Operating power |
Up to 30W |
| Multi-function button |
Power / lock screen |
| Continuous power |
Via NP-F battery or USB-C PD Power |
| DC in connector |
Via Battery Eliminator (optional) |
| DTAP |
Up to 30W |
| USB PD IN |
65W-capable power supply required |
| USB PD OUT |
Up to 13W |
| Display |
| Size |
5.2-inch |
| Resolution |
1920 x 1080 |
| Backlight Type |
Edge lit |
| Brightness (cdm2 / Nits) |
1500 |
| Aspect ratio |
16:9 |
| Color Gamut |
Rec.709 |
| Calibration support |
Computer-driven calibration (see calibration page for more details) |
| Color Pipeline |
| Gamma |
Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut |
BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display |
.Cube format |
| 3D LUT Down Stream |
Loop out |
| 3DLUT 50/50 |
Yes |
| Monitoring Modes |
Native / HLG / PQ / 3D LUT |
| HDR Output Conversion |
Log / HDR to HLG / PQ |
| Video Input |
| HDMI |
1 x HDMI (2.0) up to 6Kp30 |
| Locking port |
Optional |
| Wi-Fi |
No |
| USB |
2 x USB-C 2.0/3.0 |
| Bit Depth |
8/10-bit video |
| Video Chroma Subsampling |
4:2:2 |
| Video Output |
| HDMI |
1 x HDMI (2.0) up to 6Kp30 |
| Locking port |
Optional |
| Wi-Fi |
No |
| USB |
2 x USB-C 2.0/3.0 |
| Bit Depth |
8/10-bit video |
| Video Chroma Subsampling |
4:2:2 |
| Metadata |
| HDMI |
RAW – white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| Network |
| USB |
2 x USB-C 2.0/3.0 |
| Connectivity |
| Bluetooth |
No |
| LANC |
Yes |
| Audio In/Out |
| HDMI |
8-channel, 24-bit |
| Analogue Audio Line In |
3.5mm headphone jack, 2-channel input |
| Headphone Out |
3.5mm headphone jack, 2-channel |
| Timecode |
| Embedded |
HDMI |
| Time of day |
Yes |
| Reference / Genlock input |
No |
| LTC |
No |
| Wireless AirGlu RF Server and Client |
No |
| Wireless AirGlu BT Server |
No |
| Resolution & Frame Rates (Record, Monitor & Playback) |
| RAW |
Up to 6Kp30 |
| 4K DCI |
23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD |
23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080 |
Yes |
| 1080p |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF |
Converted to P and looped out PsF |
| 1080i |
50/59.94/60i |
| 720p |
50/59.94/60p |
| Supported Media |
| CF Express |
Atomos certified CF Express type B media |
| USB |
Atomos certified USB 3.0 media |
| File System |
ExFAT |
| Codecs |
| Apple ProRes RAW |
ProRes RAW, ProRes RAW HQ |
| Apple ProRes |
LT, 422, 422 HQ |
| H.265 |
LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| Playback |
| Playlist |
Yes, create customer playlists from full or sub-clips |
| Loop |
Yes, with user-customizable in/out markers |
| Apple ProRes RAW |
Yes, recorded clips |
| Apple ProRes |
Yes, with linear PCM audio |
| H.265 |
Yes |
| Recording |
| Pre-roll |
ProRes only |
| Timelapse |
Yes |
| Simultaneous Proxy Record |
No |
| On-screen Monitoring Tools |
| Waveform |
3 sizes – adjustable opacity & brightness |
| RGB parade |
3 sizes – adjustable opacity & brightness |
| Vectorscope |
2 sizes – adjustable opacity & brightness |
| 1 x Zoom |
Yes, 1:1 pixel mapping for 4K |
| 2 x Zoom |
Yes |
| Focus peaking |
Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Color |
Yes, with scale |
| ARRI False Color |
Yes |
| EL Zone |
Yes |
| Zebra |
Yes, adjustable |
| Isolate color channel |
Blue Only |
| Cine Frame Guides |
Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides |
Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin |
Yes |
| Safe areas |
Action and graphic |
| Grid markers |
9 grid |
| Anamorphic desqueeze |
1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip |
Vertical only |
| Onboard Signal Processing |
| Pulldown removal |
24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD |
Loop out – 4K UHD to HD |
| DCI Crop |
Loop out – 17:9 to 16:9 crop |
| Remote Control |
| HDMI |
Auto HDMI trigger, supported protocols – Canon, Sony, Atomos |
| Serial 2.5mm Jack |
Calibration via optional USB to serial cable |
| AirGlu BT |
No |
| AirGlu RF |
No |
| Camera Control |
| USB-C |
Start/stop recording, ISO, shutter, aperture, white balance, touch to focus (for supported cameras) |
| What’s in the Box |
| Accessories included |
Ninja RAW monitor-recorder, USB-C locking cable adaptor, HDMI locking cable adaptor, USB-C locking cable (45cm), Quick Start Guide |
| Box dimensions (W x H x D mm) |
190mm x 130mm x 75mm |
| Box weight |
665gms |
| Warranty |
| Standard |
1 year. Extended to 2 years on product registration (excludes screen) |
