| Physical |
| Dimensions (W x H x D mm) |
474mm x 315mm x 62mm |
| Weight |
7.1 Kg |
| Mounting Points |
Top: 4 x 1/4″20, 2 x 3/8″, Bottom: 6 x 1/4″20, 3 x 3/8″ Right: 4 x 1/4″20, 2 x 3/8″, Left: 2 x 1/4″20, 1 x 3/8″ |
| VESA Mount |
100 x 100 |
| Environmental |
| Ambient Operating Temperature |
Up to 40 Degrees Celsius |
| Construction |
| Body |
Aluminium with ABS plastic |
| Cooling |
Actively controlled fan and heat sink |
| Touch Screen |
Capacitive touch |
| Tally Light |
LED on rear |
| Multi-Function Button |
Power + 6 assignable |
| Power |
| Input voltage |
DC 12V to 16.8V DC |
| Operating Power |
75W |
| Compatible Batteries |
95Wh+ V-Lock / Anton Bauer Gold Mount via XLR terminal (optional mounting plates available) |
| Battery Voltage |
14.4V nominal |
| Battery power |
Dual battery input via dedicated 4-pin XLR |
| DC-In Connector |
1 x 4-pin XLR for included DC power supply |
| D-Tap |
Via third-party D-Tap to 4-pin XLR cable |
| Display |
| Size |
19-inch |
| Resolution |
3840 x 2160 4K UHD |
| Bit Depth |
10-bit (8+2 FRC) |
| Backlight Type |
Double Edge Lit |
| Brightness (cd/m²/ nits) |
1200 |
| Aspect Ratio |
16:9 |
| Color Gamut |
100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020 |
| Color Pipeline |
| Gamma |
Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut |
DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display |
.Cube Format (17 & 33 points supported) |
| 3D LUT Output |
Loop out |
| 3DLUT 50/50 |
Yes |
| Monitoring Modes |
Native / HLG / PQ / 3D LUT |
| HDR Output Conversion |
Log / HDR to HLG / PQ |
| Video Input |
| HDMI |
1 x HDMI (2.0) up to 4K60P |
| Locking port |
No |
| SDI |
2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI |
| Wi-Fi |
Wi-Fi 6E |
| Bit Depth |
8/10-bit for video / up to 12-bit for RAW |
| Video Chroma Subsampling |
YCbCr 4:2:0 & 4:2:2 |
| HDR output conversion |
HDMI auto detection |
| Video Output |
| HDMI |
1 x HDMI (2.0) up to 4K60P |
| Locking port |
No |
| SDI loop through |
1 x 12G-SDI |
| Wi-Fi |
Wi-Fi 6E |
| Bit Depth |
8/10-bit video |
| Video Chroma Subsampling |
4:2:2 |
| Metadata |
| SDI |
File name – ARRI & RED. RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut |
| File naming – standard |
Scene/shot/take & rolling scene/shot/take |
| File naming – over SDI |
Auto-matched filenames from supported ARRI, RED, Sony, Canon Cameras |
| Network |
| Wi-Fi |
Wi-Fi 6E |
| Ethernet |
1 x RJ45 connector |
| Connectivity |
| USB |
2 x USB-C 2.0/3.0 |
| Bluetooth |
Yes |
| LANC |
Yes |
| Video Signal Conversion |
| HDMI to SDI |
Yes |
| SDI to HDMI |
Yes |
| Audio In/Out |
| Audio Quality |
24-Bit / 48kHz |
| Audio Codec |
PCM |
| HDMI |
8-channel, 24-bit (input dependent) |
| SDI |
12-channel, 24-bit (input dependent) |
| Analog Audio In |
2 x 3-pin XLR (female) |
| Analog Audio Out |
2 x 3-pin XLR (male) |
| Speakers |
Mono confidence up to 1.5W |
| Headphone Out |
3.5mm headphone jack, 2-channel |
| Timecode |
| Embedded |
HDMI & SDI |
| Time of Day |
Yes |
| Reference / Genlock input |
Yes (playback mode only) |
| LTC |
LTC via dedicated BNC input (record mode only) |
| Wireless AirGlu RF Server and Client |
Yes |
| Wireless AirGlu BT Server |
Yes |
| Resolution and Frame Rates (Record, Monitor & Play) |
| 8K RAW |
Up to 8Kp30 |
| 6K RAW |
Up to 6Kp30 |
| 4K RAW |
Up to 4Kp60 |
| 2K RAW |
Up to 2Kp240 |
| 4K DCI |
Up to 4Kp60 |
| 4K UHD |
Up to UHDp60 |
| 2K DCI 2048 x 1080 |
Up to 2Kp60 |
| 1080p |
Up to 1080p120 |
| 1080 PsF |
Only via pulldown to progressive |
| 1080i |
1080i50 / 1080i60 |
| 720p |
Up to 720p60 |
| Supported Media |
| CF Express |
Atomos certified CF Express Type B media |
| USB |
Atomos certified USB 3.0 media |
| File System |
ExFAT |
| Codecs |
| Apple ProRes RAW |
ProRes RAW, ProRes RAW HQ |
| Apple ProRes |
LT, 422, 422 HQ |
| Avid DNxHD |
DNxHD 220x, 220, 145, 36 |
| Avid DNxHR |
LB, SQ, HQ, HQX |
| H.265 |
LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| H.264 |
Not supported |
| Playback |
| Playlist |
Yes – create customer playlists from full or sub-clips |
| Loop |
Yes, with user-customizable in/out markers |
| Apple ProRes Raw |
Yes – recorded clips |
| Apple ProRes |
HQ, 422, LT (linear PCM audio only) |
| Avid DNx |
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only) |
| H.265 |
Yes |
| Recording |
| Pre-roll |
8s HD / 2s 4K – ProRes, DNxHD only |
| Timelapse |
Yes |
| ISO Recording |
4 x ISO up to 1080p60 (3G-SDI Level A) |
| Switched program record |
Yes |
| Multi-input switching |
| Dual Input Display |
Via multi ISO input mode |
| Multiple SDI Input |
Up to 4 x 1080p60 (3G-SDI Level A) |
| Multiview Display |
via Multi ISO input mode |
| Input switching |
Yes |
| On-screen monitoring tools |
| Waveform |
3 sizes – adjustable opacity & brightness |
| RGB parade |
3 sizes – adjustable opacity & brightness |
| Vectorscope |
2 sizes – adjustable opacity & brightness |
| 2 x Zoom |
Yes |
| Focus Peaking |
Color selected / threshold setting / color / mono / edges only |
| Atomos False Color |
Yes, with scale |
| ARRI False Color |
Yes |
| EL Zone |
Yes |
| Zebra |
Yes, adjustable |
| Isolate color channel |
Blue only |
| Cine Frame Guides |
Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides |
Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion skin |
Yes |
| Safe areas |
Action and graphic |
| Grid markers |
9 grid |
| Anamorphic desqueeze |
1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip |
Vertical only |
| Onboard Signal Processing |
| 4K UHD Downscale for HD |
Loop out – 4K UHD to FHD |
| DCI Crop |
Loop out – 17:9 to 16:9 crop |
| Pulldown removal |
24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| Remote Control |
| HDMI |
Auto HDMI trigger, supported protocols – Canon, Sony, Atomos |
| SDI |
SDI trigger camera selectable |
| Serial 2.5mm Jack |
Calibration via optional USB to serial cable |
| AirGlu BT |
Yes |
| AirGlu RT |
Yes |
| Accessories |
| AC to DC Power Adaptor |
Yes, sold separately (ATOMPWR024) |
| Sun Hood |
Yes, sold separately by third party |
| Camera to Cloud |
| ATOMOSphere |
Direct progressive upload supported (20GB free storage) over Wi-Fi or Ethernet |
| Adobe Frame.io |
Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet |
| Dropbox |
Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet |
| What’s in the box |
| Box Contents |
Sumo PRO-19 monitor-recorder-switcher, 2 x Wi-Fi antennas, 5 x antenna tips (black, white, yellow, green, red), AirGlu antenna, 3 x antenna caps, desktop feet & screws, battery plate mount & screws, XLR 4 power supply, 5 x international IEC power cables, screen cloth, HEX key, Quick Start Guide |
| Box dimensions (W x H x D mm) |
595mm x 385mm x 172mm |
| Box weight |
11 Kg |
| Warranty |
| Standard |
1 year. Extended to 2 years on product registration (excludes screen) |
